Showing posts with label Ithaka. Show all posts
Showing posts with label Ithaka. Show all posts

Wednesday, February 19, 2025

Hip hop photography book: "Beyond South Central": Rap legends N.W.A. as seen thru the lens of Ithaka Darin Pappas (1988-1990)

 





The second edition of the 2016 photography book Beyond South Central (Sweatlodge Publishing) is now available on amazon.com. The book is the result of the three years Ithaka Darin Pappas freelanced for Priority Records, capturing the primary imagery of N.W.A., documenting almost the entire lifespan of the group, from their obscure South Central beginnings to their meteoric rise to controversial super-stardom. This publication includes iconic images such as The Miracle Mile Shot, The Bleacher Shot, Backstage In Phoenix and also rarely seen candid images of Ice Cube, Dr. Dre, Eazy E, MC Ren, DJ Yella and The D.O.C.

Ithaka Darin Pappas began experimenting with his father's 35mm and medium-format film cameras as early as age 5. He started assisting professional photographers immediately after high school, and within a year, began publishing much of his own work. Perhaps the most published (and republished) commercial photographic works by IDP are his early archival images of the influential LA Gangsta rap group NWA. Pappas worked for the West Coast record label Priority Records between 1988 and 1991 and documented almost the entire lifespan of the group, from their obscure South Central beginnings to their meteoric rise to controversial super-stardom.

Friday, November 19, 2021

Ultra Rare: Eazy E - "Eazy Duz It" t-shirt featuring photo by Ithaka Darin Pappas

Ultra Rare "Eazy E" T-shirt featuring photo "Eazy E On The Microphone" by Ithaka Darin Pappas taken on November 11th 1988 in Miracle Mile, Los Angeles.
This very rare black on black Eazy E tee was recently spotted selling on Ebay for $450 (used):https://gem.app/product/ruthless-n-w-a-eazy-e-eazy-duz-it-vintage OR https://www.ebay.com/itm/284095011547

Wednesday, July 3, 2019

Never Seen Image of Ice Cube & Dr. Dre by Photographer Ithaka Darin Pappas - Surfaces After 31 Years!


NEVER BEFORE SEEN image of Ice Cube & Dr. Dre  just discovered in my deepest archives. Although we were mostly shooting black & white, this was from a lone color roll shot on a Hasselblad 500CE. It was November 11th 1988, the same day we made "THE MIRACLE MILE SHOT" ( aka the official press image for Straight Outta Compton "). This now historic session was made in my old apartment in The Miracle Mile area of LA when my roommates were out at their classes at UCLA 

{watch vid here: https://www.youtube.com/watch?v=wa1HApBPD6U }[][]

Image is copyrighted: Please contact ithaka.official@gmail.com for more info:

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

photo: Ithaka Darin Pappas © 1988

This was one of many shoots 
That I did of Ice Cube and NWA for
Priority Records Between 1988 and 1991.

For more information about this image 
Please contact: ithaka.art@gmail.com - Also see:  @_ithaka_

Note: This image is not Public Domain, it is Necessary to acquire authorization
thru my Representatives at the Tack Artist Agency Group in Los Angeles 
before reproducing in print, online or merchandising ... thank you.


Interview in Mass Appeal (Contact High Project)
http://massappeal.com/contact-high-ithaka-darin-pappas-on-photographing-a-bulletproof-vest-wearing-skateboarding-riding-eazy-e/

Interview in The Hundreds:
http://thehundreds.com/ithaka-interview/

Interview in Gerneral Admission:
https://www.generaladmission.us/blogs/news/eazy-e-and-ithakas-iconic-photo


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Tuesday, June 4, 2019

Eazy-E, el primer rapero de skate en la historia - fotografía histórica por Ithaka Darin Pappas

https://hypebeast.com/2019/5/contact-high-a-visual-history-of-hip-hop-exhibition

Eazy-E, el primer rapero de skate en la historia.

Inspirado en el venerado libro del mismo nombre, "CONTACT HIGH: A Visual History" es una exposición fotográfica masiva que destaca 140 obras raras de 60 aclamados fotógrafos en la industria de la música curada por Vikki Tobak.

En una exhibición en el Espacio de Fotografía de Annenberg, la extensa presentación celebra el trabajo de fotógrafos de hip-hop como Barron Claiborne, Brian “B +” Cross, Eric Coleman, Estevan Oriol, Janette Beckman, Ithaka Darin Pappas entre otros. Los aspectos más destacados incluyen el icónico Notorious B.I.G. de Barron Claiborne. retratos e instantáneas de retrocesos de Jay-Z, Kendrick Lamar y Kanye West antes de que se convirtieran en grandes nombres; Las fotos de Janette Beckman de Salt-N-Pepa; así como los conocimientos sobre el enfoque documental de Jamel Shabazz y Gordon Parks para fotografiar la cultura hip-hop.

Acompañan las fotografías videos de archivo, recuerdos y música para demostrar "cómo la documentación de un fenómeno cultural afecta la política, la cultura y los movimientos sociales en todo el mundo", según el instituto. Por no mencionar, una tienda de discos emergente que vende discos de vinilo raros también forma parte del escaparate.

Vea los trabajos seleccionados arriba y luego visite el sitio web oficial de Annenberg Space for Photography para obtener más información. La exposición estará abierta hasta el 18 de agosto.

El espacio de Annenberg para la fotografía
2000 avenida de las estrellas
Los Angeles, CA 90067

Friday, May 24, 2019

Fab 5 Freddy Talks Eazy E Skateboarding in '89 and Ithaka's pics in the exhibit Contact High Exhibit (VLADTV)



See Video Here: Fab 5 Freddy (VLADTV) 

On May 15th the legendary Fab 5 Freddy spoke to DJ Vlad (VLADTV) about the early days of YO! MTV Raps, his NetFlix documentary The Grass Is Greener and about Ithaka Darin Pappas' historic images of Eazy E, being hip hop's very first skateboarder being shown at the exhibit Contact High: A Visual History of Hip Hop (Curated by: Vikki Tobak) 


Full Interview at these links:
            Part 1 (Fab 5 on VladTV): youtube.com/watch?v=0ztlV...

   Part 2 (Fab 5 on VladTV): youtu.be/MCtqoFYBym0
Part 3(Fab 5 on VladTV): youtu.be/dXK4m4xaIhs
Part 4(Fab 5 on VladTV): youtu.be/8Wa-xktCN34
Part 5(Fab 5 on VladTV): youtu.be/2J0-3iVwJEM



  Part 6(Fab 5 on VladTV): youtu.be/uZw4bn_n1MU

Saturday, May 11, 2019

Keith Morris (Black Flag) and Ithaka Darin Pappas discuss rare NWA photos


https://www.youtube.com/watch?v=L2HQhd1EzRg

2018 - Co-founder of Image Club Ltd. - Punk legend Keith Morris (Circle Jerks, Black Flag, OFF!) discuss with artist/photographer Ithaka Darin Pappas how he began to work for pioneering record label Priority Records in the late 1980's- and began to regularly photograph Eazy E, NWA, Ice Cube


Wednesday, September 13, 2017

Extremely Rare Eazy E Photograph By Ithaka Darin Pappas Exhibited At 2017 Photoville

[Contact High: Hip-Hop’s Iconic Photographs and Visual Culture]

Rapper, Eazy E skateboarding in Venice Beach, California Feb. 24th 1989 - photographed by:Ithaka Darin Pappas

Presented by
Contact High with support from Mass Appeal and Invictus Black

Curated by
Vikki Tobak; Associate curator: Syreeta Gates
“Contact High” spotlights the photographers who have played critical roles in bringing hip-hop and music culture imagery onto the global stage. Photographers share their era-defining stories’ iconic images, what legendary street photographer Henri Cartier Bresson called ‘The Decisive Moment’. “Contact High” offers a rare glimpse into the creative process and a behind-the-scenes look at the making of the imagery that shaped hip-hop and music visual culture. Getting access to the original and unedited contact sheets, we see the ‘big picture’ visual legacy being created. Contact sheets let you look directly through the photographer’s lens and observe all of the other shots taken during these legendary moments.
Hip-hop and rebel cultures have always been about self-definition, especially when it comes to visuals and style. For artists, that one iconic pose, press shot or album cover would play a major role in shaping them into icons by any means necessary—skills, style, swagger, bravado and visuals. Today, the way we digest and create cultural imagery has radically changed. Today’s visual landscape is haphazardly shaped from every direction. The contact sheets reveal how photographers shaped the evolution of a visual cultural phenomenon.
Let’s get analogue for a minute. Contrary to the iPhone’s dominance, film is not dead. In fact, there’s a whole movement of analogue film photographers hashtag bragging: #FilmIsNotDead #35mm #ishootfilm #analogphotography #analogvibes… the list goes on. In this digital age of Instagram and Photoshop, it’s easy to hide imperfections. Analog film reveals beauty and individuality by exposing imperfection and process. There is individualism and eccentricity in every shot, like the dust and grooves of vinyl records. Photographers typically don’t show their contact sheets. It’s their visual diary. Not every shot worked, in fact, most didn’t. Back when every photo was methodically shot on analog film, the negatives on a roll of film would be contact printed on photographic paper allowing you to see the full range of images that would eventually develop into the ‘money shot’.

ORGANIZATION BIO

“Contact High: Hip-Hop’s Iconic Photographs and Visual Culture” spotlights the photographers who have played critical roles in bringing hip-hop and music culture imagery onto the global stage.
The exhibition encompass more than 40 years of history and celebrates what and how photographers saw as hip-hop evolved into a global force. Coinciding with the publication of “Contact High: Hip-Hop’s Iconic Photographs and Visual Culture” (Clarkson Potter/Penguin Random House) to be published fall 2018.

Source: http://photoville.com/contact-high-hip-hops-iconic-photographs-visual-culture/

Tuesday, March 7, 2017

Dr. Dre: Cover Of "Famous" Magazine (Japan) March 1989


Dr. Dre: Cover Of "Famous" Magazine (Japan) March 1989
Photograph by: Ithaka Darin Pappas
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photo: Ithaka Darin Pappas © 1988

This was one of many shoots 
That I did of Dr. Dre for
Priority Records Between 1988 and 1991.

For more information about this image 
Please contact: ithaka.art@gmail.com - Also see:  @_ithaka_

Note: This image is not Public Domain, it is Necessary to acquire authorization
thru my Representatives at the Tack Artist Agency Group in Los Angeles 
before reproducing in print, online or merchandising ... thank you.


Interview in Mass Appeal (Contact High Project)
http://massappeal.com/contact-high-ithaka-darin-pappas-on-photographing-a-bulletproof-vest-wearing-skateboarding-riding-eazy-e/

Interview in The Hundreds:
http://thehundreds.com/ithaka-interview/

Interview in Gerneral Admission:
https://www.generaladmission.us/blogs/news/eazy-e-and-ithakas-iconic-photo


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Thursday, February 23, 2017

ICE CUBE - NME - Amerikkka's Most Wanted


Ice Cube - NME Magazine (UK). 
Photographed on the roof 
of Priority Records in Hollywood, 
California by Ithaka Darin Pappas

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photo: Ithaka Darin Pappas © 1990

This was one of many shoots 
That I did of Ice Cube and NWA for
Priority Records Between 1988 and 1991.

For more information about this image 
Please contact: ithaka.art@gmail.com - Also see:  @_ithaka_

Note: This image is not Public Domain, it is Necessary to acquire authorization
thru my Representatives at the Tack Artist Agency Group in Los Angeles 
before reproducing in print, online or merchandising ... thank you.


Interview in Mass Appeal (Contact High Project)
http://massappeal.com/contact-high-ithaka-darin-pappas-on-photographing-a-bulletproof-vest-wearing-skateboarding-riding-eazy-e/

Interview in The Hundreds:
http://thehundreds.com/ithaka-interview/

Interview in Gerneral Admission:
https://www.generaladmission.us/blogs/news/eazy-e-and-ithakas-iconic-photo


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Monday, December 26, 2016

Gerneral Admission: Interview with NWA Photographer: Ithaka Darin Pappas

https://www.generaladmission.us/blogs/news/eazy-e-and-ithakas-iconic-photo


Eazy E, N.W.A and Ithaka Darin Pappas's Iconic Imagery




We all have a friend like Ithaka Papas; he’s the one everyone's jealous of. The guy who picks up sports quicker than anyone. That friend who hears a tune once and can play it on any instrument and he also happens to tell the best stories all-the-while completely nonchalant about the said above. He's that guy that you want to hate on but you just can't. When I first met Ithaka six years back, he came over to my pad with a little point and shoot camera. He snapped a few pics while we were hanging out. I didn’t think anything of it. We later went surfing and I was blown away by his ability in the surf. I got to know him, and he was an unraveling onion. Each layer was a wild adventure; his life was coated with wonder. And, it wasn’t until the feature film Straight Out Of Compton landed in theaters that I learned Ithaka had spent two years with N.W.A. He had shot their album covers, editorial and more. Fascinated by our cover photo of Eazy-E in Venice I grabbed him for the real story and the back story on a few of his other favorite pics.
All photos courtesy of Ithaka Darin Papas/Tack Artist Group
GA: Tell us about the cover photo and how you got to that point with N.W.A?
Ithaka: At the time I was working for Priority Records. I was their main freelance photographer during this period and I had photographed N.W.A. probably more than any other photographer. This particular day was a shoot for MTV and they were doing a little culture clash unite between this pop group Kris Kross and N.W.A. Kris Kross came down and we all met in Venice. Fab 5 Freddy did the interview, an old-school artist and hip-hopper from New York. After the Kris Kross bailed we all walked down to the skate area down there on the beach at Venice. Eazy grabbed some kid's skateboard and took off. I'd already been working with this crew for probably almost two years and I'd never even heard the word skate board came out of anybody's mouth, or surfing, or anything like that. It was a shock to me, and he'd obviously spent some time on a skateboard because he knew what he was doing. 

GA: He could skate? 
Ithaka: Yes. He was confident on it. One thing we've learned from this photo is Eazy is a goofyfooter. (Ed’s note: Goofyfoot is the type of stance a surfer or skater is defined by) 
GA: Back then Venice was still pretty hardcore, we’re people excited to see Eazy, or was he getting a few scary looks? 
Ithaka: No, they were super excited to see him. But during that period there were a lot of gang conflicts here. A lot of these shoots that I did with N.W.A., we'd go to a place and there'd be a mixed reaction. I don't think anybody specifically from the band has ever been an affiliated gangster, but friends of theirs are and that ends up being a co-affiliation. Sometimes they'd go to these shoots and there would be some vibe from whoever. But generally speaking it was just excitement, it was a big deal, Eazy-E was down on the beach, he was signing autographs non-stop, and girls were screaming, they were big stars. 
GA: Anything else exciting happen that day?
Ithaka: Not really, that was it. We just went down there and everyone went their separate ways. I did another little shoot with Dre and DSC after this. These were good shoots because they were very informal so you could get good material and everybody in their element, that was my specialty, going where they were shooting a video, then doing a portrait session on the side, that kind of thing. It's hard to get everybody together in the same space, like, "Okay, we're going to have a photoshoot out of the studio." It's hard to get them together and focused for more than a couple minutes at a time.

GA: You also shot Eazy E's famous pool party from the movie Straight Outta Compton?
Ithaka: I did not shoot the pool party but I went to the pool party. Way better to participate in that one than photograph it [laughs]. That was pretty nuts, it was at some ranch up in Malibu. No holds barred, they put on a serious party. You know, the great thing about "Straight Outta Compton", you know I'm sure you know people that were even more involved than me might see subtle details that weren't accurate from my perspective, it was exactly the way I remember working with them, the portrays of them.
GA: Let's go through some other photos. Tell me about this one of Eazy on the train tracks.
Ithaka: This was on the east side of downtown LA. Once again, it was myself doing promotional portrait stills on the side of a video shoot, and in this case, this was the video for “100 miles and running”. This was when Ice Cube already left the band. This was the second N.W.A. album. So, this was towards the end of the project because Ice Cube had already left the band a few months before, so it just totally changed the direction of the project.

GA: What a bummer. This one of him here is my favorite of the four. He looks so young.
Ithaka: So, this was, I think it was November 1988. This was the first time I had ever met any of these guys. This was the record cover shoot for “We want Eazy” the single, which just had the song “Radio” on it. So, this shoot was mostly about Eazy. Everybody was there though, so also there's some shots of N.W.A from the day. This is at my apartment on Orange Street near Wilshire and San Vicente. So, this one it was a little bit more produced. I think I got 500 dollars for this shoot and I’m sure I spent more than 600 dollars shooting it. But I didn't care I was so excited to shoot them. (Continued below) 

Ithaka: I was a fan of these guys as well. I was a daily listener to K.D.A.Y. I knew the music very well before I ever even worked with N.W.A. or Eazy. So, it was like I knew what I was getting into and I wanted to do a good shoot, and one of the shots from this shoot had all five members, they gathered without their sunglasses, and the image is one of the images that has survived the test of time. Because it’s really rare to see everybody without their sunglasses in controlled lighting.
GA: I remember you telling me a funny story about the catering for the shoot?
Ithaka: Oh, yes. This was Clarity Records and the only records they had really done before this was the California Raisins. You know, the California Raisins?
GA: Yeah I saw it in the movie.
Ithaka: They went into hip-hop and they were treading lightly. Unsure of how it was going to turn out they didn’t want to spend too much money. So the catering for the shoot was four bags of Doritos and a 24 pack of Old English 800.

GA: It’s crazy how young they are here, man. They’re just kids. Eazy would have been what age?
Ithaka: He might have been 20, so let me think. Dre’s a year older than me, ’88, how old was I? So, I was 22, Dre was 23, Cube is like 20-21.
GA: Insane. Fuck, that's such a good photo.
Ithaka: Fun shit though, huh?
GA: Yes, it’s such cool shit, man. Okay last one, what about this one below. 
Ithaka: Yes, this was down at MacArthur Park. This was another segment for MTV. This was the record cover shoot for the single "12-inch", extended version of “Express yourself”. Which also had "A bitch is a bitch" on it. This was the cover of that. At the time MacArthur Park used to be a pretty rough neighborhood. I think they'd just drained the lake right before this. They found 700 guns in the lake, 3,000 knives, couple dead bodies. I don’t know what it’s like now down there now but I imagine a lot nicer. 


__________________________________________________
https://www.generaladmission.us/blogs/news/eazy-e-and-ithakas-iconic-photo
 


Saturday, September 3, 2016

Controversial NWA Manager, JERRY HELLER, Dead at Age 75

NWA Manager JERRY HELLER Dead at Age 75

Jerry Heller, who served as N.W.A.'s original manager, died of a heart attack on Friday, September 2, at Los Robles Hospital in Thousand Oaks, California. He was 75.Heller was involved in a car accident on Friday morning and was taken to the hospital with serious injuries shortly before his death.
Heller was best known for kicking off N.W.A.'s highly successful career in the '80s after teaming up with band member Eazy-E to launch Ruthless Records. The record label also launched the careers of several R&B and hip-hop stars such as J. J. Fad, Michel'le and the D.O.C.

Heller had a contentious relationship with N.W.A. member Ice Cube, who left the group in 1989 over a royalty dispute. Ice Cube, now 47, later released a diss track against his former manager titled "No Vaseline," on which he rapped, "N.W.A. ain't s--t without Ice Cube!" (Dr. Dre also left the group in 1991, citing similar monetary issues.)

Source: http://www.usmagazine.com/celebrity-news/news/jerry-heller-dead-former-nwa-manager-dies-at-75-w437938

_____________________________________

Jerry Heller

Jerry Heller
Born October 6, 1940
Cleveland, Ohio, U.S.
Died September 2, 2016 (aged 75)
Thousand Oaks, California,U.S.
Nationality American
Occupation Music manager
Years active 1960–2016
Net worth US$20 million (2016)[1]
Gerald E. “Jerry” Heller (October 6, 1940 – September 2, 2016) was an American music manager and businessman. He was best known for managing west coast rap supergroup and gangsta rap pioneers N.W.A and Eazy-E. He rose to prominence in the 1960s and '70s, importing Elton John and Pink Floyd for their first major American tours, and representing Journey, Marvin Gaye, Joan Armatrading, Van Morrison, War, Average White Band, ELO, Eric Burdon, Crosby Stills and Nash, Ike & Tina Turner, Creedence Clearwater Revival, Otis Redding, The Who, Grand Funk Railroad, Black Sabbath, Humble Pie, Styx, REO Speedwagon, Four Tops, Dr. John, Jose Feliciano, The Grass Roots, and The Standells, among many others.
In the mid-1980s he worked with R&B and hip hop acts like Michel'le, World Class Wreckin' Cru, J.J. Fad, The D.O.C., Egyptian Lover and L.A. Dream Team.
Heller played a role in the emergence of West Coast rap music when he cofounded Ruthless Records with Eazy-E and discovered, signed, or managed the likes of N.W.A, The Black Eyed Peas, Above the Law, The D.O.C., and Bone Thugs-N-Harmony.
Heller died on September 2, 2016 due to unknown causes

https://en.wikipedia.org/wiki/Jerry_Heller

Saturday, June 25, 2016

Eazy E - Beats By Dre Instagram June 2016 - Photo: Ithaka Darin Pappas

In June of 2016 to celebrate international Go Skateboarding Day, Beats by Dre posted an iconic image of Eazy E skateboarding in Venice Beach in a bullet-proof vest. The photograph was taken by: Ithaka Darin Pappas in 1989.

Eazy E - Beats By Dre Instagram June 2016 - Photo: Ithaka Darin Pappas



In June of 2016 to celebrate international Go Skateboarding Day, Beats by Dre posted an iconic image of Eazy E skateboarding in Venice Beach in a bullet-proof vest. The photograph was taken by: Ithaka Darin Pappas in 1989.

 :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
photo: Ithaka Darin Pappas © 1989

This was one of many shoots 
That I did of NWA
Priority Records Between 1988 and 1991.
For more information about this image 
Please contact: ithaka.art@gmail.com - Also see:  _ithaka_

Note: This image is not Public Domain, it is Necessary to acquire authorization
thru my Representatives at the Tack Artist Agency Group in Los Angeles 
before reproducing in print, online or merchandising ... thank you.
http://thehundreds.com/ithaka-interview/
~~~~~~~~~~~~~~~~~~~~~

Monday, June 13, 2016

ITHAKA And N.W.A.

Ithaka And N.W.A.

Perhaps the most published and republished commercial photographic works by Ithaka Darin Pappas, are his early archival images of the influential Los Angeles rap group N.W.A.[26]. Pappas worked for their West Coast record label Priority Records between the years of 1988-1991 and documented almost the entire lifespan of the group, from their obscure South Central beginnings to their meteoric rise to controversial super-stardom...and their eventually disassembly. He has photographed NWA more than any other individual photographer. The pictures from these early sessions, particularly The Miracle Mile Shot, which features all five members of the project photographed on a white backdrop at Ithaka's own apartment in Los Angeles, has been printed in Rolling Stone, Q Magazine (UK), Blitz Magazine (Portugal) and was used as the primary backdrop for the entire NWA segment of the 2016 Rock and Roll Hall of Fame induction ceremony in Brooklyn, New York[27]. The image also appears in the 2016 HBO documentary, The Defiant Ones, about Dr. Dre and Jimmy Iovine directed by Alan Hughes[28].




:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
photo: Ithaka Darin Pappas © 1988

This was one of many shoots 
That I did of NWA
Priority Records Between 1988 and 1991.
For more information about this image 
Please contact: ithaka.art@gmail.com - Also see:  _ithaka_

Note: This image is not Public Domain, it is Necessary to acquire authorization
thru my Representatives at the Tack Artist Agency Group in Los Angeles 
before reproducing in print, online or merchandising ... thank you.
http://thehundreds.com/ithaka-interview/
~~~~~~~~~~~~~~~~~~~~~

Wednesday, April 27, 2016

Kings Of Compton (documentary) DVD cover Japan - photo by: Ithaka Darin Pappas



Kings Of Compton (documentary)
DVD cover (Japan) photo by: Ithaka Darin Pappas / @_ithaka_

This inclusive documentary takes a unique look at the most influential West Coast rap group in history and inventors of gangster rap: NWA. The life and death of controversial rapper Eazy-E and the birth of the career of highly successful actor, movie producer and rapper Ice Cube and world renowned music producer Dr. Dre is documented through never-before-seen candid interviews, personal photos, and touching stories, giving insight into the real men behind the records. Eazy-E took America through the streets of Compton for an unforgettable ride, and created a new music style that spawned a billion dollar industry. This is the personal story of Compton boy Eric Wright, and his journey to becoming the King of Gangster Rap as a man who actually lived the criminal lifestyle he featured in his music. His legacy is captured here in the way Eazy-E and NWA changed the landscape of rap and hip hop forever.  

Stars:, ,

  

Camera and Electrical Department 

Ithaka Darin Pappas ... still photography

 

 :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

photo: Ithaka Darin Pappas © 1988

This was one of many shoots 
That I did of NWA
Priority Records Between 1988 and 1991.

For more information about this image 
Please contact: ithaka.art@gmail.com - Also see:  _ithaka_

Note: This image is not Public Domain, it is Necessary to acquire authorization
thru my Representatives at the Tack Artist Agency Group in Los Angeles 
before reproducing in print, online or merchandising ... thank you.


http://thehundreds.com/ithaka-interview/


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http://thehundreds.com/ithaka-interview/